Wednesday, 28 December 2011
Third Claud Gelee etching
This is the third Claude etching that I bought, it is later than the other two and very much more like his landscape paintings, with all his usual elements Goatherd, long horned goats also with travellers in the distance.
Tuesday, 27 December 2011
Another Claude Gelee etching
This etching by Claude Gelee is rather better done than the previous one, I bought three Claude etchings along with a large number etchings and engravings in a folio from a local auction, all three can be seen in museum collections around the world, so I considered myself very lucky to sucessfully bid for them.
Monday, 26 December 2011
Two beetles
Friday, 23 December 2011
Claude early etching
Tuesday, 20 December 2011
Monday, 19 December 2011
Samuel Howitts hunt etching
This engraving by Samuel Howitt in 1798 is the first of a set of six, these hunting prints were extremely popular in their time, even now they they turn up frequently at picture and print auctions, I have aquired a couple of sets over the years and just down the road an antique shop has a set for sale at over two hundred pounds, he is one of my favorite etchers who drew his own designs.
Sunday, 18 December 2011
Zacharias Dolendo's Adam and Eve
I bought an old book on etching fairly recently, but neither the previous owner nor the secondhand bookseller had noticed that the small engraving of Adam and Eve, that had been used as a bookmark, was in fact a sixteenth century print by Zacharias Dolendo who was born in Leyden about the yuear 1560, I like the homely touch of little hound scratching his ear.
Saturday, 17 December 2011
Thursday, 15 December 2011
Friday, 9 December 2011
Scent of Jack Russell
This engraving was made using a hand held high speed engraver similar to those used by model makers, I find it much more like drawing than using a tradional engraving tool, the avocets in the picture below were also engraved this way, but for the mud lines a diamond dust encrusted glass engraving tool held between finger and thumb, was rolled across the surface of the copper plate so that lines of tiny pits were made, which seems to work quite well, the plate was then inked up and hand wiped, then run off on my etching press.
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